Izenour, Learning from Las Vegas (Macerata, Quodlibet 2010), in AAVV, Ugo La Pietra. Among his recent essays there are those published in the Italian edition of R. He regularly writes for the magazines “Log” and “Abitare”.

Between February and March 2010 he studied the Yona Friedman Archives at the Getty Research Institute of Los Angeles, California. He teaches Theories of contemporary architecture at the School of Architecture and Design in Ascoli Piceno (UNICAM) and at “Aldo Rossi” Faculty of Architecture in Cesena. Since 2004 he collaborates with the Observatory on Architecture of the Targetti Foundation in Florence and since 2011 with Festarch, International Festival of Architecture in Perugia. Since 2002 he works for the publishing house Quodlibet based in Macerata, where he edits the architecture books. He has studied in Tel Aviv, in Israel in 2004 and in Paris, several times between 20. In 2007 he got a PhD in History of Architecture and of Cities at the Foundation for Advanced Studies in Venice (SSAV) with the dissertation: “The Erratic Universe of Yona Friedman,” tutor Marco De Michelis. Graduated in 2001 at IUAV University with a thesis in History of the city, tutor Donatella Calabi. For too much Friedman has been judged separately from the environments where he was part of. For these reasons is now urgent to give a unique critical view of his multiple activity rebuilding some of the contexts in which he operated. In fact Friedman’s publications matter with city planning, sociology, anthropology and physics. His theoretical production, developed after moving to France in 1957, is extremely heterogeneous and rich.

Since his education as an architect at first in Hungary and then in Palestine-Israel, Friedman progressively has investigated problems beyond architecture. Recently Friedman’s work is having a revival of general interest but forgetting much part of it. After having been classified as an utopian architect he disappeared from the disciplinary publications for almost thirty years. He was also one of the protagonists of the “Age of Megastructure” during the 50’s and 60’s. The French-Hungarian architect Yona Friedman is well known among architects for his theory of a Mobile Architecture. The Erratic Universe of Yona FriedmanThe Erratic Universe of Yona Friedman As part of the exhibition Yona Friedman, Genesis of a Vision

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